Your cart is empty
Browse the store
Hover to zoom
Jean-Baptiste-Simeon Chardin (c. 1730)
Want it ready to hang?
Choose Framed Poster, arrives fully assembled, no framing needed.
Add $150.00 more for free shipping
Secure checkout via Stripe. Shipping calculated at checkout.
Chardin painted this small still life around 1730, during his early years at the Academie in Paris. It shows nothing remarkable: a basket of plums, a bottle, a glass of water, and two melons on a tilted tabletop. That ordinariness is the point. The canvas is small, roughly 18 by 24 inches. A wicker basket sits at the center, piled with dark plums. To the left, a green glass bottle and a glass of water catch the light. Two melons rest at the right edge. The tabletop tilts toward the viewer, and a crack runs across the left side of the surface. The background is a warm brown, dissolving into shadow. The light comes from the left, falling across the plums and the glass with quiet precision. Chardin was born in Paris in 1699 and spent his entire career there. He was admitted to the Academie Royale in 1728 on the strength of his still lifes, at a time when the Academie ranked still life below history painting and portraiture. He painted what was in front of him: kitchen utensils, fruit, dead game, and the interiors of ordinary Parisian apartments. French painting of the 1730s was dominated by the Rococo, with its pastel colors, aristocratic subjects, and decorative lightness. Chardin worked against all of that. His still lifes are quiet, dark, and grounded in physical observation. He found his audience among collectors who understood what he was doing, but he was never the most fashionable painter in Paris. Oil on canvas, 46 by 65 centimeters. Chardin built his surfaces with soft, blended strokes that resolve into form only at a distance. Up close, the plums are a haze of red and purple. The glass and water are painted with thin, careful layers that catch the light the way real glass does. This painting works in a kitchen, dining room, or breakfast nook. The warm browns and deep reds suit a room with natural wood, copper pots, or linen curtains. The 16x20 framed version in a red oak frame is the right choice for this palette. The painting is in The Frick Collection, New York. It was the first still life to enter the collection. This is a public domain artwork, sourced from Wikimedia Commons. We print it on archival matte paper at sizes from 8x10 to 24x36 inches, framed or unframed. The image is printed at full resolution with no cropping.

Blog
Rococo: Frills, Pleasure, and the Art of the French Aristocracy
Rococo was the art of pleasure, intimacy, and aristocratic leisure in 18th-century France. Discover Watteau, Boucher, Fragonard, and the style the Revolution destroyed.

Blog
Neoclassicism: Order, Reason, and the Return to Ancient Rome
Neoclassicism rejected Rococo excess and returned to the order, reason, and moral clarity of ancient Rome. Discover how David and Ingres shaped an era.
No reviews yet. Be the first to share your experience!
No reviews yet.