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Albert Bierstadt (1868)
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Bierstadt painted Among the Sierra Nevada, California in 1868, at the height of his career as the premier painter of the American West. He was 38 years old and had already made two trips to the West with survey expeditions, producing the large-scale landscapes of Yosemite, the Rockies, and the Sierra Nevada that made him the most famous and the most highly paid painter in America. Among the Sierra Nevada is one of his most ambitious works, a panoramic view of the California mountains that captures the sublime scale of the western landscape. The painting shows a wide valley in the Sierra Nevada, with mountains rising in the background and a lake in the foreground. Deer graze at the water's edge, and the sky is filled with golden light, with clouds catching the last rays of the sun. The composition is built on a series of horizontal bands: the lake, the meadow, the forest, the mountains, the sky, each receding into the distance. The light falls from the upper left, illuminating the peaks and casting the valley in a warm, golden glow. Bierstadt was born in Germany but grew up in New Bedford, Massachusetts. He returned to Germany to study painting in Dusseldorf, where he learned the meticulous technique and the dramatic lighting that would define his work. In 1859, he joined the Lander expedition to the Rocky Mountains, the first of several trips to the West that provided the material for his paintings. He exhibited his western landscapes in New York to enormous success, charging prices that were unprecedented for an American painter. Among the Sierra Nevada was painted in Rome, where Bierstadt had a studio, and it was exhibited in London and Paris before being shown in the United States. The painting was part of Bierstadt's strategy of presenting the American West to European audiences as a new Eden, a land of sublime beauty and unlimited possibility. The painting was bought by the collector Mary H. Hearn and donated to the Smithsonian. Oil on canvas, 183 by 152 centimeters. Bierstadt painted with a smooth, controlled touch, building the mountains in thin, even layers of blue and white. The lake is painted in translucent layers of blue and green, with the reflections of the mountains visible on the surface. The deer are painted in small, precise strokes of brown and white, with their forms described with the accuracy of a naturalist. The sky is painted in layers of gold, pink, and white, with the clouds built in thick, opaque strokes that catch the light. The surface has the polished, finished quality of an academic painting. The horizontal format and warm palette make this print work well in a living room, dining room, or office. The warm golds, blues, and greens pair with natural wood, white walls, and rooms with a traditional or grand character. The 18x24 size is the best choice, as the composition needs width to read. The painting has a sublime, expansive quality that suits rooms with a dramatic or patriotic mood. This is a public domain artwork from the Smithsonian American Art Museum. We print it on archival matte paper at sizes from 8x10 to 18x24 inches, framed or unframed.
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